In the warm, Mediterranean Greece, working with clay is a lot different from my experience. The material dries faster and the sun goes down earlier.

During my stay at a painter's house at the wonderful, inspiring countryside of Peloponnese, I got the opportunity to try pit firing. In a lovely, creative commune, without much equipment and only with few kilos of clay I practiced handbuilding.

The local conditions made my working method more spontaneous and myself more curious about the firing process and natural glazing techniques.